
Giovanni Fattori



João-Maria
Version for mobile reading:
602 - (sonnenbrücke) (1) He beckoned the sheep with his sweetest hand. He climbed the oak, restored the nest of a solemn little thing. (2) His pulse had the umbra of a mountain. His wounds produced in him no pain. At dawn he hauled the body of his father, his world spun in the axis of his heart. (3) He blamed the grass for the coming of the frost. His tears were beetles in a drowned world. The hours were lost. The hours were lost. The hours were frost in his grassy world. (4) Slowly, all of his skin was a blind skin. He dressed himself like a mossy boulder. The sheep environed him, his sweetness. The birds were disfigured, his sulk.
579 - () Ōdī et amō, I grabble the chains. Yesterday slipped from me, I gnaw. I belong. I hug the expressions of other. Other too am I. My nephew is afraid of the moon. I too, am other, and constitute a moonlike thing and gleam and disappear in the supreme violence of my sameness. I will hug you forever, tiny being, so that you too can disappear.
606 - () To you, Empedocles, woe was being orphaned by birth. The warm plumage of nature rejected the birthed one. Nature affiliated the inert things. The spacial sounds of veins, oh, the black air and black spume of a black sea. Day, a hungry apparatus and a tree with many mouths. Seaside, a magnificent symphony wets the bodies of flowers. I listen, I listen, how am I the orphan, Empedocles? Its bones gong and daylight shivers, the children will never know the frailty of their makers, and each footstep storms in a giant collapse. The sand ripens like a corpse. I watch, I watch, how are we the orphaned ones, Empedocles? Why do we seek a night that doesn’t seek us?
Wonderful snippets to enjoy in; I especially liked (3), it had some Tolkienesque feel to it.
LikeLiked by 1 person
I’m yet to read Tolkien. I didn’t even know he had published poetry, but I suppose that he was heavily influenced by the romantics, which is what that poem attempts to be. It was written after Hölderlin, in fact.
Thank you so much for coming by, Oloriel. You are always inspiring to me.
LikeLiked by 1 person
Here is just one example, as a part of his books ofcourse; to me, it carries that sense of old, but also sense of timeless:
“All that is gold does not glitter,
Not all those who wander are lost;
The old that is strong does not wither,
Deep roots are not reached by the frost.
From the ashes a fire shall be woken,
A light from the shadows shall spring;
Renewed shall be blade that was broken,
The crownless again shall be king.”
LikeLiked by 1 person
I don’t think I write half as good as that, but I appreciate the comparison nonetheless. Furthermore, I also don’t think the content of my poems is quite as exalted or ambitious as that. Empedocles saw the violence of nature as something wholly divine and thus non-human, but if you look at humanity, Oloriel, is it violence that we lack? Is it divinity? I think we have much too much of both…
LikeLiked by 1 person
You are right, we do not lack it and have too much of it – but I think that stems from our wrongful quest in achieving both. I do not think, as humanity, discounting for the humble and enlightened individual here and there, we do not have a truthful inkling most often what divinity is or even what is violence (to explain better, I can but use my own examples where the person violent towards me would say they are doing it “because they love me”). That is why, I think, I perhaps see some divinity or some vulnerability , in a fleeting moment, in words such as yours – while in fact perhaps, they were not there. I think that is the true power of the written word, today, to see what we miss or want to see, inside the writing.
LikeLiked by 1 person
Good work!
LikeLiked by 1 person
Thank you John!
LikeLike
I’m fascinated by your writing…it’s honest and plain-spoken, yet there’s such beauty in it. My own pieces that are honest about pain do not come out as artistically as yours. Bravo! And I’ll keep working on improving mine 🙂
LikeLiked by 1 person
Thank you so much!
I’m actually rather surprised because nobody ever said my writing was plain-spoken. I’m so glad it feels that way to you.
And I do think there’s art in so many different types of expression. I do not think you are less artistic at all, but I’m sure that, as we develop as writers, we become better acquainted with our ability to be just honest enough without losing the beauty of our honesty.
LikeLiked by 1 person
You are welcome! And you’re probably right–thanks for your time and thoughts!
LikeLiked by 1 person
“Why do we seek a night that doesn’t seek us?” Amazing!!! I love it.
LikeLiked by 1 person
It’s an interesting line, I find. Thank you lots for reading. ❤
LikeLike